About

Sarah Lunnie is an interdisciplinary new-works dramaturg, director and producer.

She is the Senior Dramaturg of the Public Theater.

Theater collaborations include the development and first productions of Shayok Misha Chowdhury’s Public Obscenities; Heidi Schreck’s What The Constitution Means to Me; Lucas Hnath’s A Doll’s House, Part 2, The Christians, nightnight and Death Tax; Jeff Augustin’s Where The Mountain Meets the Sea, featuring original music by The Bengsons; Anne Washburn’s Shipwreck; Charles Mee’s Under Construction, made with SITI Company; and, with The Mad Ones, Mrs. Murray’s Menagerie and Miles for Mary; among many others.

Sarah was previously an Associate Artistic Director of the Jungle Theater in Minneapolis; the Literary Director at Playwrights Horizons; and the Literary Manager at Actors Theatre of Louisville, where she curated and developed new work for the Humana Festival of New American Plays. She is the co-editor, with Amy Wegener, of several volumes of Humana Festival play anthologies.

She and sound designer Stowe Nelson occasionally conspire under the banner of Telephonic Literary Union to create phone-based storytelling experiences for very small audiences that are not efficient or particularly scalable. She has also produced a number of projects for Audible, including Christopher Chen’s The Podcaster. She frequently supports emerging choreographers as a dramaturg at the New York Choreographic Institute at New York City Ballet.

Sarah sits on the Steinberg Playwright Award Advisory Committee and the Sun Valley Playwright’s Residency Advisory Board. She has taught in the Department of Dramatic Writing at NYU’s Tisch School of the Arts and is a graduate of Boston College, where she studied theater and creative writing.

She lives in Brooklyn with her husband, Josh, their three children, and a long-suffering dog.

You can learn more about her current projects here.