Upcoming: Dramaturgy for Jordan Harrison’s The Antiquities, directed by David Cromer and Caitlin Sullivan (Playwrights Horizons/The Vineyard/Goodman Theatre); Shayok Misha Chowdhury’s Rheology, created in collaboration with Misha’s mother, Bulbul Chakraborty (Bushwick Starr/HERE/Ma-Yi); Jordan Tannahill’s Prince F*****, directed by Misha Chowdhury (Playwrights Horizons); and Else Went’s Initiative, directed by Emma Rosa Went (The Public).
Recent: Dramaturgy for Shayok Misha Chowdhury’s Public Obscenities (Soho Rep/NAATCO, Woolly Mammoth, TFANA); and Itamar Moses’s The Ally, directed by Lila Neugebauer (The Public).
Workshops of Lucas Hnath’s Old Actress, directed by Les Waters; Jordan Harrison’s The Antiquities, directed by David Cromer (Playwrights Horizons); and The Bengsons’ My Joy Is Heavy, directed by Rachel Chavkin (Arena Stage).
Sarah supported choreographers Sarah Foster-Sproull and Houston Thomas at the October convening of New York City Ballet’s New York Choreographic Institute. Last summer, she was a resident artist at New York Stage & Film, conspiring on a new project with Mikhail Fiksel and G.T. Upchurch. She directed workshops of Lyndsey Bourne’s We Share Spoons at The Public, with original music contributions from The Bengsons; and The Second Body at Ensemble Studio Theatre.
Other recent work: Dramaturgy for Jeff Augustin and The Bengsons’ Where The Mountain Meets the Sea at Manhattan Theatre Club, directed by Joshua Kahan Brody; and Out of Time, a collection of monologues by Jaclyn Backhaus, Sam Chanse, Mia Chung, Naomi Iizuka and Anna Ouyang Moench, conceived and directed by Les Waters and commissioned and produced by National Asian American Theatre Company in collaboration with the Public.
Ongoing/Upcoming: Projects in development with David Adjmi, Jeff Augustin, The Bengsons, Lyndsey Bourne, Shayok Misha Chowdhury, Ryan J. Haddad, Lucas Hnath, Martyna Majok, Mara Nelson-Greenberg, and Else Went.
Photo courtesy of Manhattan Theatre Club.