Sarah recently spoke with The Interval about dramaturgy. You can also read more about her work in TDF Stages. You can learn more about dramaturgy at lmda.org.
“Sarah's ability to zero in on, articulate and refine the fundamental pulse of a theatrical narrative is utterly remarkable. Her attention to detail, and her insight into structure, character psychology and theatrical signification render her indispensable to any project she's a part of.”
—Lila Neugebauer
“I’ve never had anyone direct my writing. Sarah Lunnie, who was the dramaturg on [Public Obscenities], her partnership has been the thing that has made me feel not alone. I have had someone to be in process with the entire time. She’s just been such a genius collaborator on the piece. I’ve never really operated in relationship to a dramaturg in that way. Now I’m obsessed.”
—Shayok Misha Chowdhury
“Sarah Lunnie has an incredible mind plus a talent for seeing what lies hidden inside of a play and what invisible impulses long to be articulated. We could not have made [What The Constitution Means to Me] without her exceptional gifts.”
—Heidi Schreck
